Books by Mary Renault

'The Alexander Trilogy contains some of Renault's finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat' SARAH WATERSIn the final novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India. After Alexander's death in 323 B.C. his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt. For no one possessed the leadership to keep the great empire from crumbling. But Alexander's legend endured to spread into worlds he had seen only in dreams.'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' - HILARY MANTEL'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault's] career . . . Renault's skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It's a literary conjuring trick like all historical fiction - it can only ever be an approximation of the truth. But in Renault's hands, the trick is so convincing and passionately conjured' Antonia Senior, The Times

This brilliant retelling of the story of Theseus, the king of Athens, brings Greek mythology vividly to life and remains 'one of the truly fine historical novels of modern times' (The New York Times)Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birthright, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' (Madeline Miller, bestselling author of Circe)'Mary Renault is a shining light to both historical novelists and their readers' (Hilary Mantel, bestselling author of Wolf Hall)

In two remarkable historical novels, Mary Renault fashions from the myth of Theseus a convincingly flawed hero and weaves a thrillingly plausible account of the Labyrinth and the infamous Minotaur. The King Must Die follows the young Theseus as he discovers that his true father is the King of Athens, and volunteers to join the annual tribute of Athenian girls and youths sacrificed to a bull-worshipping cult on the island of Crete. Trapped in the labyrinthine palace of King Minos, Theseus enlists the help of high priestess Ariadne in a daring plan to free his people. The Bull From the Sea begins after Theseus's triumphal return to Athens. He is now king, but his confidence will be shaken by a life-changing encounter with the queen of the Amazons, the birth of a son who will insist on choosing his own path, and the tragic results of his wife's treachery. Renault's deep knowledge of the Greek world, her sure grasp of psychology and genius for inspired speculation bring the distant world of the legendary past enthrallingly to life.

'All my sense of the ancient world - its values, its style, the scent of its wars and passions - comes from Mary Renault. Her Theseus novels are perhaps the most exciting of her Greek fictions, and The Last of the Wine the most moving. I turned to writing historical fiction because of something I learned from Renault: that it lets you shake off the mental shackles of your own era, all the categories and labels, and write freely about what really matters to you' EMMA DONOGHUE'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' MADELINE MILLERCombining the scholarship of a historian with the imagination of a novelist, Mary Renault masterfully brings the ancient world to life in this page-turning drama of the Peloponnesian War.Alexias, a young Athenian of good family, comes of age during the last phases of the Peloponnesian War. The adult world he enters is one in which the power and influence of his class have been undermined by the forces of war. Alexias finds himself drawn to the controversial teachings of Socrates, following him even though it at times endangers both his own life and his family's place in society. Among the great teacher's followers Alexias meets Lysis, and the two youths become inseparable - together they wrestle in the palaestra, journey to the Olympic Games, and fight in the wars against Sparta. As their relationship develops against the background of famine, siege and civil conflict, Mary Renault expertly conveys the intricacies of classical Greek culture.'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL'The most vivid and convincing reconstruction of ancient Greek life that I have ever seen' Sunday Times

'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' MADELINE MILLERCombining the scholarship of a historian with the imagination of a novelist, Mary Renault brings the ancient Greek stage thrillingly to life.Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.'All my sense of the ancient world - its values, its style, the scent of its wars and passions - comes from Mary Renault. I turned to writing historical fiction because of something I learned from Renault: that it lets you shake off the mental shackles of your own era, all the categories and labels, and write freely about what really matters to you' EMMA DONOGHUE 'There's much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' - Sam Jordison, Guardian

'Renault's masterpiece. One of the greatest historical novels ever written' SARAH WATERSIn the second novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend.The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas is sold as a courtesan to King Darius of Persia, but finds freedom with Alexander the Great after the Macedon army conquers his homeland. Their relationship sustains Alexander as he weathers assassination plots, the demands of two foreign wives, a sometimes mutinous army, and his own ferocious temper. After Alexander's mysterious death, we are left wondering if this Persian boy understood the great warrior and his ambitions better than anyone.'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' Hilary Mantel'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century . . . it represents the pinnacle of [Renault's] career . . . Renault's skill is in immersing us in their world, drawing us into its strangeness, its violence and beauty. It's a literary conjuring trick like all historical fiction - it can only ever be an approximation of the truth. But in Renault's hands, the trick is so convincing and passionately conjured. Nowhere is this more evident than in The Persian Boy . . . Bagoas is a brilliant narrator. Rendered unreliable by his passion, he is always believeable and sympathetic . . . His Persian background allows him to see the king and his Macedonians through the questioning eyes of an alien' - Antonia Senior, The Times

'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' MADELINE MILLERThe sequel to The King Must Die. The Bull from the Sea continues the story of the hero Theseus after his return from Crete.Having freed the city of Athens from the onerous tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: he still must confront the Amazons, capture their queen, Hippolyta, and face the tragic results of Phaedra's jealous rage. Piecing together the fragments of myth and using her deep understanding of the cultures reflected in these legends, Mary Renault has constructed an enthralling narrative of a time when heroes battled monsters and gods strode the earth.'There's much to say about her interweaving of myth and history and, just as interestingly, there's much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' Sam Jordison, Guardian

Vivian, a student nurse, chose her profession as a challenge, both to her spirit and to her permanently exhausted body; Mic immerses himself in his work at the hospital to ward off the emotional wounds of an unhappy childhood. Through Jan, Viv's beloved older brother, they meet, and their friendship turns into a secret romance. Secret because, if discovered, it would cost them their jobs.Despite the discipline and rigid hierarchy imposed by the hospital, their passion takes root, but between them hangs the tantalising and enigmatic shadow of Jan.

'The Alexander Trilogy contains some of Renault's finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat - Sarah WatersAlexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece to India. Fire From Heaven tells the story of the years that shaped him. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance. His love for the youth Hephaistion taught him trust, while Aristotle's tutoring provoked his mind and fuelled his aspirations. Killing his first man in battle at the age of twelve and commanding Macedon's cavalry at eighteen, by the time his father is murdered, Alexander's skills have grown to match his fiery ambition.Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

On holiday in the North Devon countryside, Neil Langton looks back on the wreckage of his past. He has come to believe that all happiness is behind him; the wounds from his former marriage - in which his wife cheated on him and his young daughter died - are still raw. While rock-climbing, he meets Ellen, a young woman whom he saves from a mountainside accident. Ellen, too, is looking to escape her painful past, struggling to deal with her feelings for the man she loved - a pilot who died in service. Set in postwar Britain, and filled with a memorable cast of characters, North Face is a love story rich in atmosphere and tension.

Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets - Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier. But there are surprises in store for conventional Elsie as her sister has a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat - and her bed - with Helen. When Peter pays a visit, turning his attention from one 'friendly young lady' to the next, he disturbs the calm for each of them - with results unforeseen by all . . .Mary Renault wrote this delightfully provocative novel in 1943 partly in answer to the despair characteristic of Radclyffe Hall's The Well of Loneliness. The result is this witty and stylish social comedy.

'The Charioteer remains compelling both as a snapshot of a particular - and particularly fascinating - cultural moment, and as a deeply romantic story of love fulfilled against the odds. It has all those qualities that make Mary Renault so memorable as a novelist: craft, subtlety, intelligence, and a terrific natural sympathy with the intricacies of honour and desire' SARAH WATERS'An explosive and courageous book' SIMON RUSSELL BEALEFirst published in 1953, The Charioteer is a tender, intelligent coming-of-age novel and a bold, unapologetic portrayal of homosexuality that stands with Gore Vidal's The City and the Pillar and James Baldwin's Giovanni's Room as a landmark work in gay literature.Injured at Dunkirk, Laurie Odell, a young corporal, is recovering at a rural veterans' hospital. There he meets Andrew, a conscientious objector serving as an orderly, and the men find solace in their covert friendship. Then Ralph Lanyon appears, a mentor from Laurie's schooldays. Through him, Laurie is drawn into a tight-knit circle of gay men for whom liaisons are fleeting and he is forced to choose between the ideals of a perfect friendship and the pleasures of experience.'Emotionally intelligent, beautifully written and deeply moving, it transcends categorisations' Telegraph