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The essays in What Came Before say without saying. Combining and blurring the genres of myth, essay, and poetry, these small works explore subjects as diverse as the death of Moses, the special relationship between gay men and cats, the movie "Titanic," rock collections, and the afterlife.
Matthew Schultz maps rhetorical hauntings across a wide range of postcolonial Irish novels, and defines the spectre as a non-present presence that simultaneously symbolises and analyses an overlapping of Irish myth and Irish history. -- .
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