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From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, this book illustrates the inner workings of one of Chicago's premier cultural institutions.
The apparent resurgence of hostility toward Jews has been a theme in discussions of Europe; at the same time, adversities faced by continent's Muslim population have received increasing attention. This book offers a historical and cultural clarification of key terms in these problems.
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