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T.S. Eliot and Ezra Pound dominated English poetry and criticism in the first half of the twentieth century. At the center of their practice is what Maud Ellmann calls the poetics of impersonality. Ellmann's examination yields a set of superb readings of the major poems of the modernist canon.
In this authoritative introduction to her life and work, Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic, and deconstructive methods of interpretation.
Provides examples of the literary criticism which has emerged from the conjunction between psychoanalysis and post-structuralism. The book defines concepts and methods by tracing the role the story of Oedipus has played in the development of and psychoanalytic theory and criticism.
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