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This book builds a new understanding of the body and its relationship to images and technology, using a framework where novel writings of pragmatist somaesthetics and phenomenology meet new research on bodily reactions.
The essays in this co-written book examine architectural dereliction and its experience, interpretation and even appropriation in classical arts and popular culture, with a special focus on how the various forms of aestheticisation of the past can serve the understanding of our contemporary state of culture.
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