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In this collection of interviews Maxine Hong Kingston talks about her life, her writing, and her objectives. As she answers her critics and readers, she both clarifies the differences and exults in the difficulties of distinguishing between the remembered and the re-created.
With an introduction by Xiaolu GuoA classic memoir set during the Chinese revolution of the 1940s and inspired by folklore, providing a unique insight into the life of an immigrant in America.When we Chinese girls listened to the adults talking-story, we learned that we failed if we grew up to be but wives or slaves. We could be heroines, swordswomen.Throughout her childhood, Maxine Hong Kingston listened to her mother's mesmerizing tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upwards. Growing up in a changing America, surrounded by Chinese myth and memory, this is her story of two cultures and one trenchant, lyrical journey into womanhood. Complex and beautiful, angry and adoring, Maxine Hong Kingston's The Woman Warrior is a seminal piece of writing about emigration and identity. It won the National Book Critics Circle Award in 1976 and is widely hailed as a feminist classic.
To Be the Poet is Kingston's manifesto, the avowal and declaration of a writer who has devoted a good part of her sixty years to writing prose, and who, over the course of this spirited and inspiring book, works out what the rest of her life will be, in poetry.
Born in 1940, one of eight children, Maxine Hong Kingston is the daughter of Chinese immigrants to America. This memoir recalls her first major work "The Woman Warrior" in which she blended Chinese myth with fiction and autobiography to reflect on her mother's past life in China and the experience of immigrants to America.
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