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Man-handled, Melinda Smith's seventh poetry collection, includes the found-text chapbook Listen, bitch plus new work from the last three years. Its central concern is gendered violence, both verbal and physical. These poems also extend their gaze to violences perpetrated in the names of colonialism, nationalism and capitalism. It has been called her angriest book yet. Despite this, there are also poems celebrating moments of connection and wonder.
1962. Menzies was in power, Whitlam was deputy Opposition Leader, and the cold war was in full swing. Canberra was steadily transforming froma town in a paddoc to a city with a lake. This is a year in the life of the building that held all the action: Old Parliament House. One of the outcomes of a collaborative project between poet Melinda Smith and artist Caren Florance, this poetic work is an exercise in re-voicing the past and placing it in conversation with the present.
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