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"Experience the spectacle of Venice and its rich history as a glassmaking capital through Sargent, Whistler, and Venetian Glass: American Artists and the Magic of Murano. This exhibition catalogue is the first comprehensive examination of the American Grand Tour to Venice in the late nineteenth century, revealing the glass furnaces and their new creative boom as a vibrant facet of the city's allure. This gorgeously illustrated catalogue features paintings and prints by John Singer Sargent, James McNeill Whistler, Frank Duveneck, Thomas Moran, William Merritt Chase, Maurice Prendergast, Maxfield Parrish, Louise Cox, and Ellen Day Hale alongside rarely seen Venetian glass mosaic portraits and glass cups, vases, and urns by the leading Murano glassmakers. Reuniting these exquisitely crafted objects with paintings, etchings, and drawings from the same milieu, this catalogue recovers and explains their past significance. Five new essays from experts in the history of American art and of Venetian glass provide the first combined survey of fine and decorative arts from the Venetian Grand Tour, offering a unique and valuable contribution to the fields of American Art and nineteenth-century cultural history. Ultimately, this project demonstrates the lasting impact of the nineteenth-century Venetian glass revival on American art, literature, and education, as well as period concepts of gender and social class."--
"In the 19th century, the Aesthetic movement exalted taste, the pursuit of beauty, and self-expression over moral expectations and restrictive conformity. This illuminating publication examines the production and circulation of artworks made during this unique historical moment. Looking at how specific works of art in this style were created, collected, and exchanged, the book pushes beyond the notion of Aesthetic painting and design as being merely decorative. Instead, work by James McNeill Whistler, Edward Burne-Jones, Albert Moore, and others is shown to have offered their makers and viewers a means of further engaging with the rapidly changing world around them. This multifaceted and thought-provoking study provides a radical new perspective on a mode of artistic production, linking it to the era's expanding visual culture and the technological advancements that contributed to it. In a period marked by increasing connectivity, this book shows how art of the Aesthetic movement on both sides of the Atlantic figured into growing global networks"--
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