Books by Michael Flynn

It is the beginning of the twenty-first century and one woman is determined to bring America and the world back on track in the technological future. She has the strength, the intelligence, the money. It will be done. This is the story of the rebirth of innovative technological expansion on Earth and in space.

A triumph of the New Space Opera: fast, complicated, wonder-filled!Hugo Award finalist and Robert A. Heinlein Award-winning SF writer Michael Flynn now turns to space opera with stunningly successful results. Full of rich echoes of space opera classics from Doc Smith to Cordwainer Smith, The January Dancer tells the fateful story of an ancient pre-human artifact of great power, and the people who found it. Starting with Captain Amos January, who quickly loses it, and then the others who fought, schemed, and killed to get it, we travel around the complex, decadent, brawling, mongrelized interstellar human civilization the artifact might save or destroy. Collectors want the Dancer; pirates take it, rulers crave it, and they'll all kill if necessary to get it. This is a thrilling yarn of love, revolution, music, and mystery, and it ends, as all great stories do, with shock and a beginning.

Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions.This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.

Provides students with a practical guide to the management aspects of the licensed trade industry. This work introduces students to: key players; variations in service offer; types of management arrangement; customers and segments; labour markets and employees; key elements in the business units; and, retailing skills.