Books by Michael Groden

This unusual book is a fascinating work of personal criticism or "biblio-memoir" which will appeal to all interested in James Joyce's work, and, more widely, to those interested in responses to great art. It focusses on the life-long appeal of a particular work of art on a single individual who has been a leading Joyce scholar for 40 years.Professor Groden has taught Ulysses to undergraduates, to graduate students, and to adults outside of universities in a long and distinguished career. He is the author of two often-cited scholarly books on Joyce's novel, and he has overseen the 63-volume facsimile reproduction of his manuscripts.Groden says: "I've often been asked why I've devoted so much of my life to Joyce's novel. The Necessary Fiction tries to answer that question. I wrote the book partly with seasoned readers and scholars of Ulysses in mind, but I aimed it especially at readers who desire to read, have attempted to read, or have even succeeded in reading Joyce's novel and who will welcome an accessible, very personal introduction to it as well as a case for reading or rereading it.""A neologism that has been applied to my work - 'autobloomography' - captures what I am trying to do in The Necessary Fiction."The first half of the book considers various possible reasons for Ulysses'powerful impact on me when I read it as a 19-year-old undergraduate at Dartmouth College and later worked on Joyce's manuscripts for his novel as a graduate student at Princeton University. This section deals with each reason in relation to a significant person in my early life."The second half discusses Ulysses' continuing fascination for me in my professional adult life as a university professor and Joyce scholar. Throughout the book, I've interspersed accounts of my life with Ulysses with analyses of the novel itself."The Necessary Fiction is some 79,000 words long with an additional 9,600-word appendix that provides a chapter-by-chapter summary of Ulysses.

"What if you had never opened the book of your life? Or if that book had been even a little different? Ulysses in Focus takes up these vertiginous questions, raveling out episodes in the writing, critical reception, and editing of Joyce's masterpiece and twining them together with stories from a life spent elucidating it. Joyce himself would have admired the variety that Michael Groden offers us here: fascinating new readings of Ulysses by its foremost genetic critic; behind-the-scenes accounts of editorial contretemps and secret manuscript acquisitions; the sorrow of shelved projects and the thrill of the bibliographic quest. At its core, Ulysses in Focus tells the story of a reader and a book that seem to have been destined for one another. Yet its method is against destiny, seeking to free texts from the published state in which they ossify by restoring to us a sense of their evolution and their contingency. To read Groden is to think differently about reading and being: to suspect that a book, like a life, might be the sum of its untaken roads."--Paul K. Saint-Amour, University of Pennsylvania"This is an engaging, reflective, and highly personal set of essays and recollections by a leading Joyce scholar. It urges us to see Ulysses, not as a finished monument, but as a mobile piece of writing in constant dialogue with its own processes of composition and avant-textes."--Anne Fogarty, coeditor of Bloomsday 100: Essays on UlyssesMichael Groden has been at the forefront of some of the most important developments in James Joyce studies over the past three decades. He was a major figure in and early adopter of genetic scholarship--the method of analyzing a literary work by looking at its development from draft to draft, particularly suited to Joyce's stories and novels. He defended Hans Walter Gabler's Ulysses edition in the "Joyce Wars" and helped introduce the National Library of Ireland's new Joyce manuscripts to the world.Bringing together twelve essays in three areas of Joyce criticism and scholarship, this refreshing book offers various personal adventures from a life lived with Joyce's work. In a manner that is at once modest, rigorous, and accessible, Ulysses in Focus engagingly connects these scholarly developments and contretemps to the author's personal history and provides fascinating new genetic readings of several episodes of Ulysses that advance our understanding of the novel's composition.