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Offers the first sustained look at the creative interactions between artists and musicians of the 1960s, looking at four pairs of creators who used process-oriented ideas and techniques in their music and art: Dan Flavin and La Monte Young; Sol LeWitt and Milton Babbitt; Richard Serra and Steve Reich; and Bruce Nauman and Meredith Monk.
Based on the author's thesis (Ph. D.--University of Virginia, 2013).
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