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die Autoren eroffnen in ihrem Buch eine neue Sicht auf Bild und Wort beziehungsweise artikulierte und dichte Systeme im Sinne Goodmans, die sie zu einem instruktiven Diagrammkonzept zusammenfuhren. Diagramme sind Amalgame des Erkennens. Sie sind aber auch innerweltlich vorfindbare Gegenstande, mit denen kognitiv gearbeitet wird. Diagrammatisches Denken eroffnet Querverweise und ermoglicht so eine relationale, vom Erkennenden aktiv betriebene Urteilsbildung. Es fuhrt zu einem Wissen, das konkret und prozesshaft ist.
Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work.
This book defines diagrams as tools manipulated by users to produce new kinds of understanding and demonstrates that a modern diagrammatic knowledge emerged in eighteenth-century visual culture to become the foundation of later nineteenth-century science.
Romantic Paris is a survey of Parisian art and culture during the first half of the nineteenth century, when the experiments of Romantic artists and writers directly challenged the norms of tradition and when dramatic changes in the habits and spaces of everyday life shaped the social foundations of an urban modernity.
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