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A major study of Francis Bacon's paintings of animals reveals his explorations of the human condition
Michael Peppiatt, a major art critic and close friend of Francis Bacon's, offers an entertaining and uniquely well-informed portrait of this complex artist.
Michael Peppiatt first met Francis Bacon in a pub in Soho and was immediately swept up into the controversial painter's world. Over oysters and champagne, they embarked on a friendship that would endure for thirty years. This is the story of their lives, closely intertwined and recalled at their most extraordinary moments.From Bacon's electrifying early exhibitions through the chaos of drink, drugs and gambling, Peppiatt became deeply involved with the ground-breaking genius. This intimate and revealing memoir brings vividly alive the art worlds of Paris and London and one of the most important artists of the twentieth century.
Published in 1996, Francis Bacon: Anatomy of an Enigma was the first in-depth study of the artist's life. It has not been superseded.In this substantially revised, updated edition - to coincide with the artist's centenary, which will be celebrated from autumn 2008 through summer 2009 - Peppiatt will incorporate confidential material Bacon gave him, which he did not include in the first edition. This valuable, first-hand information comes from the hundreds of conversations Bacon had with Peppiatt, often late into the night, over thirty years, particularly during the periods Bacon spent living and working in Paris. It includes insights into Bacon's intimate relationships, his artistic convictions and his general view of life, as well as his acerbic comments on his contemporaries.Peppiatt will draw on some of the fascinating information that has become available in the fifteen years since the artist died. Once jealously guarded by the artist himself, the contents of Bacon's studio can now be freely consulted; Peppiatt has had privileged access to these archives, and he will show how a number of recent discoveries - including wholly unexpected source material - have radically changed the way we look at Bacon's work. Similarly, his recent research into the artist's background - his tortured affair with the sadistic Peter Lacy in Tangier, for instance, and the baffling circumstances of his death in Madrid - will shed light on unexplored areas of Bacon's life and work. Peppiatt will also unveil new information from several people who knew Bacon intimately and who have never gone on record previously.
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