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Remember The Tarantella is a remarkable work. It's learned and frivolous, female not feminine, silly and serious. Written in several strands of narrative, the many characters create a space as if reading were a dance party. Story is not the main objective. Private conversations and thoughts are always within earshot of the rhythm of others, like the stamping of feet and the beat of the music. This is concerto-like poetry; many instruments of different tones assist the reader to know who is who.
Senior Detective Margot Gorman has been assigned to watch over a raving woman in an asylum. What could a madwoman know? And Peter, the sportsman, can he become a warrior in Vietnam? With a deft hand, the author challenges the traditional stereotypes of a crime novel with questions of politics, patriarchy, sanity and murder. First published in 1991, Still Murder was widely praised by reviewers for being a 'cross-over' novel, bringing together literary and crime styles of writing and narrative. This feminist classic edition has an introduction by Marion Campbell and an Afterword by the author.
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