Books by Nancy Armstrong

In the decades after U.S. independence, American novelists carried on an argument that pitted direct democracy against the representative liberalism they attributed to their British counterparts. The result was an American novel distinguished by its use of narrative tropes that generated a social system resembling today's distributed network.

"Today we are awash in computerized Bible games, pastoral care software, and church management systems with members' personal information and giving records," observe authors Spiegel, Armstrong, and Bill, but "too often we blindly accept and use technology without asking the big questions. Questions like, is it appropriate to our mission and ministry?" 40 Days and 40 Bytes will help your congregation explore technology so you can decide, from a ministry and culture standpoint, what you need to do. The goal: godly service-not technological glitz. The authors are uniquely qualified to help you think about the role of technology in your congregation. All three are staff members with the Indianapolis Center for Congregations, which launched the innovative Computers and Ministry Grants Initiative in 1998 to help congregations address the challenges they face when using computer technology in their ministries. In this book, they share what they have learned in their work with 102 congregations. There's no question your congregation is going to use computer technology. The only question is, "How?" 40 Days and 40 Bytes will help you design technology that fits your ministry and mission.

In this provocative study of British realism, Armstrong explains how Victorian fiction entered into a dynamic relationship with the new popular art of photography. So successful was this collaboration, Armstrong contends, that literary criticism assumes a text is gesturing toward the real whenever it invokes a photograph.

Nancy Armstrong argues that the history of the novel and the history of the modern individual are, quite literally, one and the same. She suggests that certain works of fiction created a subject, one displaying wit, will, or energy capable of shifting the social order to grant the exceptional person a place commensurate with his or her individual worth. Once the novel had created this figure, readers understood themselves in terms of a narrative that produced a self-governing subject.In the decades following the revolutions in British North America and France, the major novelists distinguished themselves as authors by questioning the fantasy of a self-made individual. To show how novels by Defoe, Austen, Scott, Bronte, Dickens, Eliot, Hardy, Haggard, and Stoker participated in the process of making, updating, and perpetuating the figure of the individual, Armstrong puts them in dialogue with the writings of Locke, Hume, Rousseau, Malthus, Darwin, Kant, and Freud. Such theorists as Althusser, Balibar, Foucault, and Deleuze help her make the point that the individual was not one but several different figures. The delineation and potential of the modern subject depended as much upon what it had to incorporate as what alternatives it had to keep at bay to address the conflicts raging in and around the British novel.