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Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history.
A stimulating, provocative and lavishly illustrated analysis of the role of the naked goddess and the mistress of the animals within Greek religion. This book explores the power of naked females in the art of the Levant and Greece.
Delivers a comprehensive reading of Minoan art as a system of thought.
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