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A gorgeous edition of Nella Larsen's powerful classic novel on female racial identity with an introduction by Christa Holm Vogelius.
Nella Larsen's 1929 novella follows friends Irene Redfield and Clare Kendry, two black women who pass as white. Their anxieties about passing culminate in tragedy, revealing the powerful repercussions of hiding one's identity. Nearly a century later, Larsen's exploration of race remains urgent and relevant as ever.
Helga Crane i Kviksand er datter af en dansk mor, immigreret til USA, og en sort far. Hun føler sig ikke hjemme i de sortes miljø, hvor snakken går på racespørgsmålet. Ensom og rastløs beslutter hun at tage til familien i Danmark. Her bliver hun feteret, men efterhånden bliver hun utilpas af at blive betragtet som en kuriositet. Hun vender tilbage til USA. Med sig har hun ensomheden og bevidstheden om at være en evig outsider. Overgang handler om to barndomsveninder, som begge er vokset op i Harlem, og som tilfældigt mødes efter mange år. Clare har vendt fortiden ryggen, går for at være hvid og er blevet gift med en hvid mand. Da hun møder Irene, gribes hun af et uimodståeligt behov for at være sammen med farvede. Men hun løber risikoen for at blive afsløret, hvilket kan få katastrofale følger. .
VINTAGE CLASSICS' HARLEM RENAISSANCE SERIESCelebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'She could neither conform nor be happy in her unconformity'Nella Larsen wrote two novels in her lifetime, both of which are collected here. The first, Quicksand, follows a mixed-race woman who runs from the fictional town of Naxos to Chicago to Harlem to Copenhagen. It becomes easy for her to leave behind places but the discrimination she's running from is inescapable. In Passing, two childhood friends reconnect later in life. One, slightly more light-skinned than the other, lives her life passing for a white person, married to a flagrant racist while her friend observes uneasily.Masterfully plotted and infinitely illuminating, Quicksand and Passing are two of the finest works of the Harlem Renaissance.'A beloved novel from the Harlem Renaissance that follows the fraught relationship between two childhood friends, one who passes for white and one who chooses not to' Brit Bennett'Absolutely absorbing, fascinating and indispensable' Alice Walker'Buy the book' W. E. B. Du Bois
Irene lever et trygt overklasseliv i 1920’ernes Harlem, men da hun en dag render ind i sin barndomsveninde Clare under et besøg i Chicago, bliver der vendt op og ned på hendes tilværelse.Smukke, charmerende Clare er – ligesom Irene selv – af afroamerikansk afstamning. Begge er de så lyse i huden, at de kan gå for at være hvide, men mens Irene kun gør det, når situationen byder sig, har Clare vendt sit ophav ryggen og giftet sig med en hvid mand.Dobbeltliv er en indlevende historie om to kvinder, der har valgt hver sin vej i tilværelsen, og som i gensynet med hinanden aner en flig af en anden verden.
Now a major Netflix film starring Tessa Thompson, Ruth Negga and Alexander SkarsgårdChildhood friends Clare and Irene are both light-skinned enough to pass as white, but only one of them has chosen to cross the colour line and live with the secret hanging over her. Clare believes she had successfully cut herself off from any connection to her past. Married to a racist white man who is oblivious to her African-American heritage, it is vital to her that the truth remains hidden. Irene is living as a middle-class Black woman with her husband and children in Harlem, taking on an important role in her community and embracing her origins.Both women are forced to re-examine their relationships with each other, with their husbands and with the truth, confronting their most closely guarded fears. Nella Larsen's powerful, tragic and acutely observant writing established her as a lodestar of America's Harlem Renaissance. Almost a century later, Passing and its nuanced exploration of the many fraught ways in which we seek to survive remains as timely as ever
This volume brings together the complete fiction of the author of Passing and Quicksand, one of the most gifted writers of the Harlem Renaissance. Throughout her short but brilliant literary career, Nella Larsen wrote piercing dramas about the black middle class that featured sensitive, spirited heroines struggling to find a place where they belonged. Passing, Larsen's best-known work, is a disturbing story about the unraveling lives of two childhood friends, one of whom turns her back on her past and marries a white bigot. Just as disquieting is the portrait in Quicksand of Helga Crane, half black and half white, who is unable to escape her loneliness no matter where and with whom she lives. Race and marriage offer few securities here or in the other stories in this compulsively readable collection, rich in psychological complexity and imbued with a sense of place that brings Harlem vibrantly to life.
Restless Classics presents the ninetieth anniversary edition of an undersung gem of the Harlem Renaissance: Nella Larsen's Passing, a captivating and prescient exploration of identity, sexuality, self-invention, class, and race set amidst the pealing boisterousness of the Jazz Age.When childhood friends Irene Redfield and Clare Kendry cross paths at a whites-only restaurant, it's been decades since they last met. Married to a bigoted white man who has no idea that she is African American, Clare has fully embraced her ability to "pass" as a white woman. Irene, also light-skinned and living in Harlem, is shocked by Clare's rejection of her heritage, though she too passes when it suits her needs. This encounter sparks an intense relationship between the two women who, as acclaimed critic and novelist Darryl Pinckney writes in his insightful introduction, reflect Larsen's own experience of being "between black and white, and culturally at home nowhere."In a culture intent on setting boundaries, Clare and Irene refuse to adhere to expectations of gender, race, or class, culminating in a tragic clash of identities, as their relationship swings between emotional hostility and intense attraction.
The landmark novel about the cultural meaning of race, first published in 1929, is a remarkably candid exploration of shifting racial and sexual boundaries which tells the story of an two African-American woman who must confront lies and secret fears.
Hypocrisy and prejudice compel a principled mulatto teacher to desert a steady job and a socially prominent fiance.
Vi befinder os i sydstaterne i USA i 1920’erne. Den unge Helga Crane underviser på et sort universitet i Syden, hvor hun leder efter sin egen identitet som sort, som kvinde og som lærer. Hun forlader sydstaterne i en søgen efter sin egen identitet og flytter nordpå til Chicago, hvor hun får økonomisk støtte af en hvid onkel, som dog ikke ønsker nogen nærmere forbindelse med sin "sorte" niece.Vi følger Helgas søgen efter sin egen identitet i et virvar af racisme, mandschauvinisme og fordomme i en raceopdelt verden, hvor hun hverken hører til hos de sorte eller de hvide. Hendes søgen bringer hende til det pulserende New York med svingende jazzklubber og til sine slægtninge i Danmark, hvor hun mænger sig med det fineste selskab i København.Men at lede efter sin egen identitet kan være som at forsøge at vandre i kviksand, og Helgas kamp for at finde sin egen plads i verden er lang og hård."Kviksand" udkom i 1928 og på dansk i 2015.Nella Larsen (1891-1964) født Nellie Walker. Voksede op i Chicago, Illinois, som stedbarn af blandet race i en ellers "ren", hvid, dansk-amerikansk familie. Dette grundlagde en livslang ambivalens og følelse af skyld og skam i hende – som halvt sort barn bragte hun skam over sin ellers hvide familie, og dette blev et fast litterært emne i hendes semi-selvbiografiske romaner og noveller. Nella Larsen blev i høj grad litterært anerkendt af sine samtidige, men døde glemt og i ubemærkethed i Brooklyn i New York i 1964. Siden 1990’erne har hendes værker dog opnået fornyet interesse, og i dag anses de som komplekse, intellektuelle studier i race-, køns- og identitetshistorie.
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