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Late on 20th October, 1953, Sir John Gielgud, then at the zenith of his theatrical career, was arrested in a Chelsea public lavatory. He pleaded guilty the next day to the charge of persistently importuning male persons for immoral purposes. In the prim, homophobic Britain of the 1950s, Gielgud's offence attracted vicious criticism from public and press alike and threatened to terminate his career. A few weeks later, however, when Gielgud opened in London in a new play, something extraordinary happened2 women, 13 men
A pioneering study of the theatre's treatment of homosexuals and homosexuality from the 1920s to the present day. Only in the 60s did theatres confront heterosexual prejudice and in the wake of AIDS, the issue is once again highly charged.
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