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The study rejects the idea that British science fiction is distinguishable only by its pessimistic outlook--while also rejecting the idea that other designations, such as scientific romance or speculative fiction, better fit the British product.
This chronology outlines British science fiction from 1479-1990, highlighting the important biographical and publishing events in the field of science fiction literature and fandom, as well as in other media.
This collection of 20 essays on the fantastic in the arts covers fantasists and their work, contemporary fantastic theory and practice, studies in the British and European fantastic, studies in American fantasy and science fiction, and sex and techno-horror in fantastic literature and film.
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