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In this classic 1982 work, Norman Bryson examines the evolution of narrative styles: the kinds of stories paintings tell, the ways they communicate their information, the different techniques of presenting the body as an instrument for incorporating textual messages.
In this highly original book Norman Bryson applied 'structuralist' and 'post-structuralist' approaches to French Romantic Painting. He considers the work of David, Ingres and Delacroix as artists who found themselves within an artistic tradition that had nothing creative to offer them.
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