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Norman Denzin shows how artistic representations of Little Big Horn demonstrate the changing perceptions often racist of Native America by the majority culture in this multilayered performance ethnography"
Offers a history of the field of qualitative inquiry.
Yellowstone - Sacagawea - Lewis & Clark - Transcontinental railroad - Indians as college mascots - all are iconic figures, symbols of the West in the Anglo-American imagination. This title interrogates each of these icons for their cultural meaning.
Norman Denzin uses a series of performance pieces with historical, contemporary, and fictitious characters to provide a cultural critique of how a version of Indians, one that existed only in the western imagination, was commodified and sold to a global audience.
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