Books by Norman Mailer

“Spectacular . . . [Norman Mailer] makes every word count, like a master knife thrower zinging stilettos in a circle around your head.”—PeopleNorman Mailer peers into the recesses and buried virtues of the modern American male in a brilliant crime novel that transcends genre. When Tim Madden, an unsuccessful writer living on Cape Cod, awakes with a gruesome hangover, a painful tattoo on his upper arm, and a severed female head in his marijuana stash, he has almost no memory of the night before. As he reconstructs the missing hours, Madden runs afoul of retired prizefighters, sex addicts, mediums, former cons, a world-weary ex-girlfriend, and his own father, old now but still a Herculean figure. Stunningly conceived and vividly composed, Tough Guys Don’t Dance represents Mailer at the peak of his powers.   Praise for Tough Guys Don’t Dance   “As brash, brooding and ultimately mesmerizing as the author himself . . . [Mailer strikes a] dazzling balance between humor and horror.”—New York Daily News   “A first-rate page-turner of a murder mystery . . . full of great characters, littered with dead bodies and replete with plausible suspects.”—Chicago Tribune   “[Tough Guys Don’t Dance] has that charming Mailer bravado.”—The New York Times  

WITH AN INTRODUCTION BY ANDREW O'HAGANIn the summer of 1976 Gary Gilmore robbed two men.

Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration's words and actions, Mailer unleashes his trademark moral rigor: "Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad." Praise for Why Are We at War? "We're overloaded with information these days, some of it possibly true. Mailer offers a provocative-and persuasive-cultural and intellectual frame."-Newsweek "[Mailer] still has the stamina to churn out hard-hitting criticism."-Los Angeles Times "Penetrating . . . There's plenty of irreverent wit and fresh thinking on display."-San Francisco Chronicle "Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches."-Fort Worth Star-Telegram Praise for Norman Mailer "[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation."-The New York Times "A writer of the greatest and most reckless talent."-The New Yorker "Mailer is indispensable, an American treasure."-The Washington Post "A devastatingly alive and original creative mind."-Life "Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance."-The New York Review of Books "The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book."-Chicago Tribune "Mailer is a master of his craft. His language carries you through the story like a leaf on a stream."-The Cincinnati Post

Norman Mailer's dazzlingly rich, deeply evocative novel of ancient Egypt breathes life into the figures of a lost era: the eighteenth-dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover, and victim; and the gods and mortals that surround them in intimate and telepathic communion. Mailer's reincarnated protagonist is carried through the exquisite gardens of the royal harem, along the majestic flow of the Nile, and into the terrifying clash of battle. An extraordinary work of inventiveness, Ancient Evenings lives on in the mind long after the last page has been turned. Praise for Ancient Evenings "Astounding, beautifully written . . . a leap of imagination that crosses three millennia to Pharaonic Egypt."-USA Today "Mailer makes a miraculous present out of age-deep memories, bringing to life the rhythms, the images, the sensuousness of a lost time."-The New York Times "Mailer's Egypt is a haunting and magical place. . . . The reader wallows in the scope, depth, the sheer magnitude and-yes-the fertility of his imagination."-The Washington Post Book World "An enormous pyramid of a novel [reminiscent of] Thomas Pynchon's Gravity's Rainbow and Carlos Fuentes's Terra Nostra."-Los Angeles Herald Examiner Praise for Norman Mailer "[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation."-The New York Times "A writer of the greatest and most reckless talent."-The New Yorker "Mailer is indispensable, an American treasure."-The Washington Post "A devastatingly alive and original creative mind."-Life "Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance."-The New York Review of Books "The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book."-Chicago Tribune "Mailer is a master of his craft. His language carries you through the story like a leaf on a stream."-The Cincinnati Post

The definitive Norman Mailer collection, as he writes on Marilyn Monroe, culture, ideology, boxing, Hemingway, politics, sex, celebrity and - of course - Norman MailerFrom his early 'A Credo for the Living', published in 1948, when the author was twenty-five, to his final writings in the year before his death, Mailer wrestled with the big themes of his times. He was one of the most astute cultural commentators of the postwar era, a swashbuckling intellectual provocateur who never pulled a punch and was rarely anything less than interesting. Mind of an Outlaw spans the full arc of Mailer's evolution as a writer, including such essential pieces as his acclaimed 1957 meditation on hipsters, 'The White Negro'; multiple selections from his wonderful Advertisements for Myself; and a never-before-published essay on Freud. The book is introduced by Jonathan Lethem.

Mailer's superb account, written as it was happening, of the first attempt to land men on the moon'Houston, Tranquility Base here. The Eagle has landed.'A Fire on the Moon tells the scarcely credible story of the Apollo 11 mission. It is suffused with Mailer's obsession both with the astronauts themselves and with his own anxieties and terrors about the extremity of what they were trying to achieve. Mailer is both admiring and appalled and the result is a book which is both a gripping narrative and a brilliant depiction of the now-forgotten technical issues and uncertainties around the mission. A Fire on the Moon is also a matchless portrait of an America caught in a morass of introspection and misery, torn apart by the war in Vietnam. But for one, extraordinary week in the summer of 1969 all eyes were on the fates of three men in a rocket, travelling a quarter of a million miles away from Earth.With an introduction by Geoff Dyer.

Originally published in 1959, Advertisements for Myself is an inventive collection of stories, essays, polemic, meditations, and interviews. It is Mailer at his brilliant, provocative, outrageous best.

'Genius' The New York TimesIn 1973, Norman Mailer published Marilyn, his celebrated in-depth account of the life of Marilyn Monroe, as a glossy, fully illustrated coffee-table tome. His work was immediately acclaimed - and an enduring bestseller, rumoured to have sold more copies than any of his other works except The Naked and the Dead. Yet, until now, it has never been made available in an accessible mass-market paperback edition. This is one of America's greatest writers taking on the legend of one of Hollywood's greatest stars.

Norman Mailer's The Fight focuses on the 1975 World Heavyweight Boxing Championship in Kinshasa, Zaire. Muhammad Ali met George Foreman in the ring. Foreman's genius employed silence, serenity and cunning. He had never been defeated. His hands were his instrument, and 'he kept them in his pockets the way a hunter lays his rifle back into its velvet case'. Together the two men made boxing history in an explosive meeting of two great minds, two iron wills and monumental egos.

'A huge, sprawling, deeply intelligent epic' - Observer

Desert D'Or is the fashionable Californian resort where Hollywood's elite converge when they need a break. When Sergius O'Shaughnessy, recently discharged from the Air Force, arrives, he finds his burning ambition as a novelist is weakened by the depravity and recklessness of the resort.

Crossing three millennia to Pharaonic Egypt, this tale returns to that land's essences - the war, magic, gods, death and reincarnations, the lusts, ambitions, jealousies, and betrayals.