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This ground-breaking study of the Caribbean's iconography traces the history of visual representations of the region,as perceived by outsider and insider alike, over the last five hundred years.
This book is about the struggles of female and male descendants of Indian indentured migrants in Trinidad in the first half of the twentieth century, each desiring to preserve some aspects of the gender system brought from India between 1845 and 1917, which were important to their continued definition of ethnic identity and community in Trinidad.
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