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The authors present a historical picture of gender relations in Highlands New Guinea by exploring domains of imagination as revealed in courting songs, ballads, and folktales from across the Highlands but with particular reference to field areas in the western Highlands.
This book argues that the breaking and re-making of frames of analysis underlie the history of theorizing in anthropology. The authors advocate a mindful, nuanced, people-centered approach to all theorizing-one that avoids total system approaches (-isms) and suggest that theory should relate cogently to ethnography.
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