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This book is a comprehensive and inviting introduction to the literary forms and cultural significance of Chinese drama as both text and performance. Each chapter offers an accessible overview and critical analysis of one or more plays-canonical as well as less frequently studied works-and their historical contexts.
These stories introduce an emerging generation of women writers, including Chen Ran, Bikwan Wong and Chen Xue. By presenting fiction from the PRC, Hong Kong and Taiwan, the collection deliberately maps the literary contours of same-sex intimacy in cultural rather than purely political terms.
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