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This book puts the short story at the heart of contemporary postcolonial studies and questions what postcolonial literary criticism may be. Focusing on short fiction between 1975 and today - the period in which critical theory came to determine postcolonial studies - it argues for a sophisticated critique exemplified by the ambiguity of the form.
This new general introduction emphasises the importance of the short story to an understanding of modern fiction. In twenty succinct chapters, the study paints a complete portrait of the short story - its history, culture, aesthetics and economics.
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