Books by Paul Sutton

This book outlines the plans for the English attack on the Spanish West Indies in 1655, their defeat on Hispaniola and occupation of Jamaica until the end of 1655.

In this book, the film historian Paul Sutton has assembled and preserved a fascinating international collection of hundreds of James Dean clippings that span eight decades and three continents, to illustrate the contemporary and continuing responses to the great American star who became a global phenomenon.

The golden days of the film poster are often remembered in print and at the auction house but the newsprint adverts for film are a vanishing breed. Historian, Paul Sutton, believes that the print ads themselves are art. In this pioneering collection, he presents and preserves 350 rare black-and-white horror film adverts from England, America, France, Germany, Italy and Mexico. The adverts tell a history of the horror film, from the silent cinema of Germany and the Hammer Horrors of England, through to Italian Zombies and Ridley Scott's Alien.

Dave Turnip is a cathartic alter-ego, existing through narrative fragmentation yet searching for unity. He believes left-liberalism and its aesthetics are the funeral music of a ruthless elite, whose utopianism denies his identity through monolithic diversity and intellectual serfdom. This volume details his own diversification, from the unknown chronicler of the 2006 Ipswich murders to the silent lyricist of UVB-76.

A lavish pictorial celebration of the richly entertaining films about the sexual misadventures of three teenage boys in Tel Aviv. Lemon Popsicle spawned seven sequels, several spin-off films, and a U.S. remake, The Last American Virgin, and helped to establish the producers, Golan and Globus, as a force in Hollywood.

A practical illustrated introduction to the surgical theatre environment and the use of surgical instruments, written by a team associated with the Nottingham University Surgical Society SCRUBS.

Lindsay Anderson's 1968 film, "If...", deals with England and 'Englishness'. This work draws on Anderson's private archive, which illuminates the film's autobiographical elements; the original script "Crusaders"; the sequel on which he was working at the time of his death and interviews with crew members.