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Oeuvres poétiques complètes de Shelley. Tome 2 / traduites [en prose] par F. Rabbe, précédées d'une étude historique et critique sur la vie et les oeuvres de ShelleyDate de l'édition originale: 1907-1909Collection: Bibliothèque cosmopolite; N° 24-26Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
THREE ROMANTIC POETS: EMILY BRONTE, JOHN KEATS, PERCY BYSSHE SHELLEYSELECTED POEMSEdited and introduced by L.M. Poole Three great Romantics poets are featured in this anthology - Percy Bysshe Shelley, John Keats and Emily Bronte. The book includes all of their famous poems. Emily Bronte as a poet is still neglected today. Her novel Wuthering Heights, however, remains one of the great English novels. It continues to sell, continues to be adapted for radio, theatre, film and television, continues to inspire readers and be cited by critics. The wind whistling through the heather in Winter is indeed the atmosphere of Wuthering Heights, and also of Bronte's poetry. In poem after poem we find loving evocations of the moors: we hear of 'the breezy moor' (in "The starry night shall tidings bring"), the 'flowerless moors' (in "How still, how happy! Those are words"), and of 'the moors where the linnet was trilling/ Its song on the old granite stone' (in "Loud without the wind was roaring", the most powerful of Bronte's moor-poems). John Keats is one of the few British poets who is truly ecstatic and wild. Despite the overly-ornate language, the often awkward phrases ('made sweet moan' in 'La Belle Dame Sans Merci'), despite the Romantic indulgences and the sometimes chauvinist views, the often over-simplification of natural and human processes and experiences, and despite the tendency to gush and exaggerate, Keats is one of the few poets who write in English who is truly furious and shamanic. This book gathers the most potent passages from John Keats together, including the famous 'Odes', the sonnets, the luxuriously sensuous 'Eve of St Agnes', the mysterious and atmospheric 'La Belle Dame Sans Merci', and extracts from 'Lamia', Endymion and Hyperion. Percy Shelley is one of the major British poets, seen by many people as the breathless, hyper-lyrical, angelic yet anarchic poet of the Romantic era, out-doing Lord Byron and John Keats in terms of sheer brilliance. His personality, as with Keats and Byron, is a crucial component in the Shelley legend. Shelley has a cult built up around him. The book includes a selection of Shelley's odes, hymns and paeans of England's breathless, angelic, anarchic poet. Famous poems, such as 'Ode to the West Wind' and 'The Cloud', are set beside extracts from Prometheus Unbound and Epipsychidion. With an introduction and bibliography for each poet. Plus a portrait gallery for each poet. www.crmoon.com.
Oeuvres en prose: pamphlets politiques, Réfutation du déisme, fragments de romans, critique littéraire et critique d'art, philosophie (2e éd) / Percy Bysshe Shelley; traduites par Albert SavineDate de l'édition originale: 1903Collection: Bibliothèque cosmopolite; 7Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Hvor ville vi være uden poesien til at sætte problematikker og dilemmaer i en kontekst, der gør os i stand til at handle ud fra vores mest ædle følelser? Hvor lavt ville vi ikke kunne synke, hvis ikke digterne var der til at appellere til vores bedste sider og medfødte moralfølelse? Hvad er livet værd uden poesien, kunsten og det skønne til at hæve os over dagligdagens praktiske gøremål og trivialitet?Diskussionen, om hvorvidt poesien og kunsten i det hele taget har en plads i et velfungerende og rationelt funderet samfund, går helt tilbage til de gamle grækere. Percy Bysshe Shelleys ikoniske essay "Et forsvar for digtekunsten" fra 1821 er en af de mest velskrevne og overbevisende forsvarstaler for poesiens nødvendighed ikke blot for det enkelte menneske, men for samfundet som helhed.Den engelske digter Percy Bysshe Shelley (1792-1822) bidrog i løbet af sit alt for korte liv med et væld af vidunderlig poesi og velskrevne eviggyldige essays til europæisk åndsliv i 1800-tallet. Skønt Shelleys enorme talent og radikale ideer kun vakte bestyrtelse og foragt i hans samtid, har hans ideer om pacifisme og fredelig protest sidenhen inspireret personer som Gandhi og Nelson Mandela, og hans poesi har haft umådelig indflydelse på både den europæiske og den amerikanske litteratur, ikke mindst på hans kone, Mary Shelleys, klassiker "Frankenstein". Shelley levede de sidste år af sit liv i mere eller mindre selvvalgt eksil i Italien, hvor han druknede i 1822, kun 29 år gammel.
A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy.'My name is Ozymandias, King of Kings:Look on my works, ye mighty, and despair!'Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic.This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.
It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges-unmistakable, consistent, and vital.
This one-volume collection contains five editions of poems and verse dramas from the final years in the life of the radical and visionary Romantic poet Percy Bysshe Shelley (1792-1822). These are Prometheus Unbound (1820), Hellas (1822); The Cenci (second edition, 1821), Rosalind and Helen (1819), and Posthumous Poems (1824).
Edited by the historian Alexander Hamilton Thompson, this volume offers an introduction to the poetical works of Percy Bysshe Shelley. The selection, compiled and introduced by Professor Hamilton, are supplemented with extensive notes shedding light on the circumstances of the poems and elucidating the references, literary and otherwise, which proliferated Shelley's works.
This Second Edition is based on the authoritative texts chosen by the editors from their scholarly edition of The Complete Poetry of Percy Bysshe Shelley.
An anthology of the poems of Shelley arranged in chronological order of their composition. Each has a note of its general significance, footnotes elucidating any difficult points and a discussion of its meaning and occasion. Recent scholarship and criticism are also included.
Volume I of this critical edition of Shelley's prose includes the texts of the Irish pamphlets, the vegetarian essays, political writings and reviews, all written between 1811 and 1818. It also places the works in their political context and looks at the problems of dating the manuscripts.
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