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Examines the use of Mikhail Bakhtin's theory of dialogism in the analysis of subaltern writing. Argues that the heterogeneity of dialogic feminism itself constitutes a significant array of discursive resistance to the hegemony of disciplines operative in the metropolitan First World academy.
Can transnationalism be separated from capitalist globalization? Can an artist create cultural space and rethink the nation state simultaneously? This title explores such questions to invigorate the analysis of cultural transnationalism.
This book is a cultural critique of labor and globalization that considers whether one can represent the other.
The Long Space examines how time and space have a crucial impact on the form of the postcolonial novel.
Offering original research on Mikhail Bakhtin by leading scholars, this book celebrates the centennial of Bakhtin's birth and elaborates significant strains in Bakhtinian thinking.
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