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Offers an account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, nationally and internationally. This volume assesses the contribution of David Garrick, John Philip Kemble, Sarah Siddons and Edmund Kean to the afterlife and reception of Shakespeare and his plays.
In this book, which was originally published in 1979, Peter Holland brings together the disciplines of theatre history and literary criticism in a close study of the manner and significance of the staging of plays in the Restoration.
This book brings together theatre historians to identify and exemplify a variety of productive new approaches to the investigation of plays, players, playwrights, playhouses and other aspects of theatre in the long eighteenth century. Their inquiries range from stage censorship and anti-theatricalism to the political resonances of adultery comedy.
William Wycherley (1641-1715) is now only remembered for one play, The Country Wife. But Wycherley's satire is as sharp now as ever and his revelation of the follies and crimes of his society is still both wickedly funny and savagely perceptive.
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