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This book examines how American Graffiti (1973), a low-budget and star-less teen comedy, became one of the highest grossing and most highly acclaimed films of all time in the United States, and one of the key expressions of the nostalgia wave washing over the country in the 1970s.
Stanley Kubrick's Dr. Strangelove, or: How I learned to Stop Worrying and Love the Bomb (1964) is the definitive film about the nuclear age. Peter Kramer analyses its key scenes and complex production history, highlighting major themes such as Strangelove's Nazi past and the film's close relationship with real-world nuclear strategy and politics.
Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Kramer's study explores the production, marketing and reception as well as the themes and style of A Clockwork Orange against the backdrop of Kubrick's previous work and of wider developments in cinema, culture and society from the 1950s to the early 1970s.
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