Books by Peter Stockwell

For forty-three years, Norman Stockwell preached the life and teachings of Jesus Christ as an Episcopal priest. He left behind a treasure trove of sermons and other papers that his son, Peter Stockwell, inherited. In 2015, Peter began a blog using his dad''s sermons as the basis for the material. Along with his commentaries about each sermon the number of presentations grew into a small group of related sermon, that became the Stormin'' Norman series. Peter decided to collect the blogs into a book and volume 1 was born. Since that first book came into existence, a second volume if sermons was published in 2017. This book is the third volume and focuses on the Gospel written by John. Peter plans to continue writing commentaries for his father''s sermons and creating books for anyone to read.

Eden Montague has one of the largest wholesale nurseries in Washington State. She is renown or the bushes, ∩¼éowers, and trees produced by her growers. She also markets some of the ∩¼ünest honey in the northwest. But people are dying from a certain kind of the sweetener called ‘Mad Honey,’ the result of bumblebees pollinating rhododendrons and azaleas., plants known in the northwest to be poisonous.Detective Marc Je∩¼Çerson wants to end the carnage created by twin female assassins he encountered aboard a cruise ship. They may have used the honey to kill people and tried to end his life. Is there a connection?As he uncovers the trail of death and discovers the source, a panic sets into Eden as she attempts to extricate her farm from suspicion. Is she the person responsible or has someone misused her bees and rhododendrons for malicious intentions?Various police entities unravel threads of intrigue as they discover the real culprits and attempt to halt the carnage. Once again Marc works to keep his family safe as forces try to end his reign of terror against evildoers.

The Language of Surrealism explores the revolutionary experiments in language and mind undertaken by the surrealists across Europe between the wars. In the process, the book questions later critical theoretical views of language that have distorted our ideas about both surrealism and language itself.

Representing the advances in cognitive poetics, this book builds feeling and embodied experience on to the insights into meaningfulness which the cognitive approach to literature has achieved over the years. It draws on stylistics, psycholinguistics, critical theory and neurology to explore the nature of reading verbal art.