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The Breath sustains the Act in a new body, the No-Body which you are able to construct if you are willing to die and reborn away from the Other, into a new resurrected body that does not speak. It is Being Silent. Thus, Psychoanalysis is a breathing exercise going beyond the structures, a constant Kinesis, never repeating and resulting to the truth and the Act being one. This book is written for the Psychoanalyst, about psychoanalysis, involving the analysand with respect to the ethics of Lacanian Psychoanalysis and the ethics of life. Petros Patounas is daring enough to touch upon words like Faith, Desire, Alien, Act, Breath, ¿¿¿¿¿, Apraxia, only in a different context, a new context which transmits a true love for psychoanalysis and life itself.
Le titre ne fait pas référence à n'importe quel acte : Cet Acte est un Acte littéral. La caractérisation semble paradoxale car le sens littéral ne peut que concerner les figures de style dans le discours, comme la métaphore et la métonymie. Comment se fait-il qu'un acte puisse être littéral ? Mais c'est paradoxal précisément parce que nous avons limité la parole à la dimension du mot articulé par la voix. C'est à ce moment-là que Patounas innove, en faisant coupe au discours et en révélant la place de l'Acte: L'Acte est le moment où la parole n'est adressée à personne d'autre qu'à ce qui est Étranger au sujet, son Souffle. C'est un mouvement (Kinésis) de pur désir, une écriture, autrement dit, une parole littérale. L'Acte est l'incarnation de la parole dans un discours qui n'est pas du semblant. Patounas explique comment cette incarnation de la parole donne à l'être humain, en tant que sujet de la parole, une nouvelle chair, un nouveau corps.
This book is a gospel on the subject of the ethics of the well-spoken, that is the speaking being of the ¿ct. An ori-entation for the analyst to a kinesis of flowing with the flux of the letter, where the subject's mark within the signifier instead of being counted in repetition of the same, it maps the difference, a topology of life emanated by the vector of desire. "On the Ascesis of Psychoanalysts" is an ascesis of swimming in language, where the swimming subject finds their own way of breathing, as if breath is something that needs to be taught, and though it is not, the breath of desire is repressed, and then through breathing language becomes lunguage. Petros' unique writing leads the reader to an also unique reading experience. His text not only praises the desiring subject of the ¿ct, the ¿¿¿¿¿, but with its vanishing grammar it becomes an inscription of it, it be-comes an ethical compass to the desire of the analyst. Angelos Tsialides Lacanian Psychoanalyst
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