Books by Philip Gooden

The English language that is spoken by one billion people around the world is a linguistic mongrel, its vocabulary a diverse mix resulting from centuries of borrowing from other tongues.From the Celtic languages of pre-Roman Britain to Norman French; from the Vikings' Old Scandinavian to Persian, Sanskrit, Algonquian, Cantonese and Hawaiian – amongst a host of others – we have enriched our modern language with such words as tulip, slogan, doolally, avocado, moccasin, ketchup and ukulele.May We Borrow Your Language? explores the intriguing and unfamiliar stories behind scores of familiar words that the English language has filched from abroad; in so doing, it also sheds fascinating light on the wider history of the development of the English we speak today.Full of etymological nuggets to intrigue and delight the reader, this is a gift book for word buffs to cherish – as cerebrally stimulating as it is more-ishly entertaining.Philip Gooden writes books about language as well as historical crime novels. The former include "Who's Whose? A No-Nonsense Guide to Easily-Confused Words", "The Story of English", and (as co-author) "Idiomantics" and "The Word at War".

It's the summer of 1604 and the Spanish are in London. Many years after the ill-fated Armada, they are negotiating a peace treaty with the English. Nick Revill's acting company is given a ceremonial role at the celebrations. But not everybody welcomes this outbreak of peace. In the shifting world of the court there are factions. In the Tower of London sits that implacable enemy of the Spanish, Sir Walter Raleigh, and he has friends on the outside who may try to sabotage the negotiations. Nick, meanwhile, is trying to get on with his playing. Invited by Shakespeare's rival, Ben Jonson, to take part in a masque at Somerset House where the Spanish are lodged, Nick is caught up in a conspiracy. During a rehearsal the courtier Sir Philip Blake dies an apparently accidental death when he tumbles from a 'Deus ex machina' chair which is lowering him to the stage. But this is only the first of a series of suspicious deaths, and Nick must look for the murderer among those around him. And Nick has other distractions besides. There is his growing attraction to his landlady, the widowed Ursula Buckle. And then there is that new French girl at the Mitre brothel...

When the Black Death strikes London, all the theatres are closed down by order of the Privy Council. The Chamberlain's Men, the theatre company Nick Revill is part of, takes up an invitation to play in Oxford. However, it seems that the plague has followed them - but not all deaths are as they seem.

In the last decade of Elizabeth I's reign, Nick Revill, an aspiring young actor, comes to London seeking fame and fortune. Once there he gains employment with the Chamberlain's Men.Thrown out of his digs over an unfortunate accident, Nick is offered lodgings at a wealthy Thameside mansion by a black-clad youth whose father has just died and whose mother has remarried his uncle. Pondering on the similarities between the young man's story and William Shakespeare's newest tragedy, Hamlet, Nick is charged with the task of finding out whether foul play was involved in the death of the old man and hasty remarriage of his young, lusty wife.As Nick works his way ever closer to the truth, the finger of suspicion begins to point to his enigmatic employer Mr William Shakespeare - actor, author and shareholder in the Chamberlain's Men...

Elizabeth I is nearing the end of her reign with no direct heir and plots and rumours of rebellion abound. The Queen's former favourite, the Earl of Essex, appears to be eager to protect the throne, but some believe he intends to seize it.In the world of the theatre, the Chamberlain's Men are approached by a member of Essex's inner circle. He offers them money to put on a special performance of Shakespeare's Richard II - the treasonous drama of monarchy deposed and murdered. And player Nick Revill finds himself forced to act as a government spy and keep watch on his own company. But then the murders start...Praise for Philip Gooden:'Highly entertaining.' Sunday Times'Welcome to Elizabethan England where... Gooden will give you a gratifying taste of the danger and excitement of that lusty place and time.' Publishers Weekly

Third in the entertaining adventures of Shakespearean actor and sleuth, Nick Revill. It is midsummer in the year 1601. Nick Revill and his fellow actors of the company known as the Chamberlain's Men are journeying across the Wiltshire Downs for a country-house presentation of Shakespeare's A Midsummer Night's Dream. It should be a pleasant well-paid jaunt to celebrate a noble marriage, but instead the players find themselves in the midst of a tense family atmosphere, somehow linked to the presence of the household's sinister steward. Very soon Nick finds that the Dream has turned into a nightmare, where murder appears commonplace, and before too long he must fight to save his own life against the ancient backdrop of Stonehenge...

Snowflake, elite, expert . . . What are today's 'bad words' and what do they say about us, both as individuals and as a society?

If you have ever been bamboozled by the use of a foreign word or phrase, or simply want to spice up your vocabulary with some well-chosen bons mots, then this is the book for you.

The extraordinary story of the development and spread of the English language, from Dark Age Britain to the age of the Internet.