Books by Philip L. Fradkin

How one company became a permanent part of the transient American West and shaped its cultural and social landscape.

Everett Ruess was twenty years old when he vanished into the canyonlands of southern Utah, spawning the myth of a romantic desert wanderer that survives to this day. It was 1934, and Ruess was in the fifth year of a quest to record wilderness beauty in works of art whose value was recognized by such contemporary artists as Dorothea Lange, Ansel Adams, and Edward Weston. From his home in Los Angeles, Ruess walked, hitchhiked, and rode burros up the California coast, along the crest of the Sierra Nevada, and into the deserts of the Southwest. In the first probing biography of Everett Ruess, acclaimed environmental historian Philip L. Fradkin goes beyond the myth to reveal the realities of Ruess's short life and mysterious death and finds in the artist's astonishing afterlife a lonely hero who persevered.

The first indication of the prolonged terror that followed the 1906 earthquake occurred when a ship steaming off San Francisco's Golden Gate 'seemed to jump clear out of the water'. This book presents an account of the earthquake, the devastating firestorms that followed, and the city's subsequent reconstruction.

Twenty-five years ago Philip L. Fradkin read a book about a remote bay on the Gulf of Alaska coast. The noted environmental historian was attracted by the threads of violence woven through the natural and human histories of Lituya Bay. Could these histories be related, and if so, how? The attempt to define the power of this wild place was a tantalizing and, as it turned out, dangerous quest. This compelling and eerie memoir tells of Fradkin's odyssey through recorded human history and eventually to the bay itself, as he explores the dark and unyielding side of nature.Natural forces have always dominated Lituya Bay. Immense storms, powerful earthquakes, huge landslides, and giant waves higher than the world's tallest skyscrapers pound the whale-shaped fjord. Compelling for its deadly beauty, the bay has attracted visitors over time, but it has never been mastered by them.Its seasonal occupants throughout recorded history-Tlingit Indians, European explorers, gold miners, and coastal fishermen seeking a harbor of refuge-have drowned, gone mad, slaughtered fur-bearing animals with abandon, sifted the black sand beaches for minute particles of gold, and murdered each other. Only a hermit found peace there. Then the author and his small son visited the bay and were haunted by a grizzly bear.As an environmental writer for the Los Angeles Times and western editor of Audubon magazine, Fradkin has traveled from Tierra del Fuego to the North Slope of Alaska. But nothing prepared him for Lituya Bay, a place so powerful it turned one person's hair white. This story resonates with echoes of Melville, Poe, and Conrad as it weaves together the human and natural histories of a beautiful and wild place.