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The "Treatise on Musical Objects" by Pierre Schaeffer is regarded as his most important work on music and its relationship with technology. Drawing on acoustics, physics, and physiology, but also philosophy and the relationship between subject and object, this book summarizes his theoretical and practical work in music composition.
Suitable for those interested in contemporary musicology or media history, this title offers translation of the author's pioneering work - at once a journal of his experiments in sound composition and a treatise on the raison d'etre of concrete music.
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