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This book introduces narrative justice, a new theory of aesthetic education the thesis that the cultivation of aesthetic or artistic sensibility can both improve moral character and achieve political justice. The author argues that there is a subcategory of narrative representations that provide moral knowledge regardless of their categorisation as fiction or non-fiction, and which therefore can be employed as a means of moral improvement. McGregor applies this narrative ethics to the criminology of inhumanity, including both crimes against humanity and terrorism. Expanding on the methodology of narrative criminology, he demonstrates that narrative representations can be employed to evaluate responsibility for inhumanity, to understand the psychology of inhumanity, and to undermine inhumanity and are thus a means to the end of opposing injustice. He concludes that the cultivation of narrative sensibility is an important tool for both moral improvement and political justice.
In The Value of Literature, Rafe McGregor employs a unique approach the combination of philosophical work on value theory and critical work on the relationship between form and content to present a new argument for, and defence of, literary humanism. He argues that literature has value for art, for culture, and for humanity in short, that it matters. Unlike most contemporary defenders of literary value, the authors strategy does not involve arguing that literature is good as a means to one of the various ends that matter to human beings. It is not that literature necessarily makes us cleverer, more sensitive, more virtuous, more creative, or just generally better people. Nor is it true that there is a necessary relation between literature and edification, clarification, cultural critique, catharsis, or therapy. Rather than offer an argument that forges a tenuous link between literature and truth, or literature and virtue, or literature and the sacred, this book analyses the non-derivative, sui generic value characteristic of literature and demonstrates why that matters as an end in itself.
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