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Facsimile of 1943 Edition. Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, ten in all, remain a fresh source of inspiration and insight to the poetic sensibility to this day.
From one of the most famous poets in history comes a new selection of writings to bereaved friends and acquaintances, providing comfort in a time of grief and words to soothe the soul.'A treasure. The solace Rilke offers is uncommon, uplifting and necessary' OBSERVERThroughout his life, the poet Rainer Maria Rilke addressed letters to individuals who were close to him, who had contacted him after reading his works, or who he had met briefly - anyone with whom he felt an inner connection. Within his vast correspondence, there are about two dozen letters of condolence. In these direct, personal and practical letters, Rilke writes about loss and mortality, assuming the role of a sensitive, serious and uplifting guide through life's difficulties. He consoles a friend on the loss of her nephew, which she experienced like the loss of her own child; a mentor on the death of her dog; and an acquaintance struggling to cope with the end of a friendship. The result is a profound vision of mourning and a meditation on the role of pain in our lives, as well as a soothing guide for how to get through it.Where things become truly difficult and unbearable, we find ourselves in a place already very close to its transformation...
Although The Book of Hours is the work of Rilke's youth, it contains the germ of his mature convictions. Written as spontaneously received prayers, these poems celebrate a God who is not the Creator of the Universe but rather humanityitself and, above all, that most intensely conscious part of humanity, the artist. Babette Deutsch's classic translations-born from "the pure desire to sing what thepoet sang" (Ursula K. Le Guin)-capture the rich harmony and suggestive imagery of the originals, transporting the reader to new heights of inspiration and musicality.
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