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Earle Brown (1926-2002) was a crucial part of the seminal group of experimental composers known as the New York School, and his work intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff. This book seeks to expand our view of Brown's work, addressing his practices as a painter and composer as well as his collaborations with visual artists.
In the past years, many traditionally white campus religious groups have become Asian American. This book focuses on second-generation Korean Americans, who make up the majority of Asian American evangelicals. It explores the factors that lead college-bound Korean American evangelicals to create racially segregated religious communities on campus.
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