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"Chronicling the many faces of the WWII effort, these contemporary black-and-white portraits of the longest surviving veterans remind us that the war comprised a collection of Americans from all walks of life. Their penetrating gaze captures the ethos of the endeavor of war. Intimate memories offer glimpses into the horrifying, and at times awe-inspiring, reality of war. The faces of these veterans, from all branches, are juxtaposed with images of their youthful selves and serve as a visual representation of the expanse of their life experiences. Appealing to the families of soldiers, academics, history buffs, and veterans of other wars, this collection is a testament to the spirit of patriotism and strength of a collective American effort."--Publishers website.
Though suicide is an individual act, Richard Bell reveals its broad social implications in early America. From Revolution to Reconstruction, everyone-parents, newspapermen, ministers and abolitionists alike-debated the meaning of suicide as a portent of danger or of possibility in a new nation struggling to define itself and its power.
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