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Beginning with Somerset Maugham¿s innovative South Seas novel and tales and Alfred Hitchcock¿s gay-inflected revisiting of the Jack the Ripper sensation in silent film, this book considers the continuing presence of the past in future-oriented work of the 1930s and the Second World War.
Beginning with Somerset Maugham¿s innovative South Seas novel and tales and Alfred Hitchcock¿s gay-inflected revisiting of the Jack the Ripper sensation in silent film, this book considers the continuing presence of the past in future-oriented work of the 1930s and the Second World War.
Richard Dellamora offers the first full look at the entire range of Hall's published and unpublished works of fiction, poetry, and autobiography and reads through them to demonstrate how she continually played with the details of her own life to help fashion her own identity as well as to bring into existence a public lesbian culture.
Beginning with Tennyson's In Memoriam and continuing by way of Hopkins and Swinburne to the novels of Oscar Wilde and Thomas Hardy, Richard Dellamora draws on journals, letters, censored texts, and pornography to examine the cultural construction of masculinity in Victorian literature.
A study of the connection between citizenship and friendship in Victorian fiction.
Late-20th-century critical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. Terms include homo/hetero and patriarchal/feminist. This text exploits that framework to show how Victorians imagined difference in ways that continue to challenge.
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