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This memoir describes the authors experiences as a young archaeologist participating in the American archaeological excavations at ancient Knidos at south-west Turkey in 1971. Knidos, once a great classical metropolis and now entirely abandoned, is situated at Cape Crio, an isolated but glorious location at the end of a mountainous finger jutting out towards the Dodecanese islands. The ancient metropolis is famous for its marble statue of the goddess, Aphrodite, the scandalous first naked image of the deity made by the renowned sculptor, Praxiteles in the 4th century BC and imitated throughout antiquity. The book describes ('the mad consul') Charles Newton's epic excavations at Knidos during the Crimean War when, with Parliamentary support and a frigate, he excavated tons of sculpture which was dispatched the British Museum. Newton's excavations set the scene for Iris Cornelia Love's excavations (1967-77)-the Guggenheim heiress from Manhattan, who believed she discovered Aphrodite on the day American astronauts landed on the moon. This is a story about adolescence, place, archaeologists, the lost world of Turkish peasants and…… love. It portrays a major Mediterranean dig and a restless search for trophies. It also tells a tale about an extraordinarily magical place.Knidos is about classical archaeology in Victorian and modern times, the spirit of this magical place in Aegean Turkey. It also describes the mix of many personalities on this excavation, from the USA in the Vietnam War era (featuring a New York heiress, Iris Cornelia Love) and of course the local, Turkish hired peasants. Based on youthful participation on the excavations, it aims to recall some of the excitement of archaeology. Central to the story is the quest for Praxiteles's celebrated naked statue of Aphrodite, the goddess of love.
Thomas Ashby (1874-1931), the first scholar and third Director of the British School at Rome died at a tragically young age when he fell from a train. His 'Roman Campagna in Classical Times' remains a classic work of topographic research.
This is the first of a number of volumes describing the 1980-86 excavations at the early medieval Benedictine abbey of San Vincenzo al Volturno in central Italy.
This volume presents the second part of the detailed report on the British School at Rome's excavations between 1980 and 1986 at the early medieval Benedictine abbey of San Vincenzo in Molise, central Italy.
The San Vincenzo Project began in 1980 as a collaboration with the Soprintendenza Archaeologica del Molise. Its initial focus was the small frescoed crypt of 'San Lorenzo' (later known as the Crypt Church), which was in urgent need of conservation.
Uses archaeological evidence to re-read the history of the early Middle Ages. This book shows how archaeology makes us appreciate the changing rhythms of early medieval Europe, especially in terms of the contacts made by traders, pilgrims and travellers. The studies re-examine the archaeology of the monastery of San Vincenzo al Volturno (Italy).
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