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Shows how to produce and use quantitative analytical calibrations in a laboratory or production environment, how to estimate the time and resources needed to develop analytical calibrations, and how to employ the quantitative software provided with a wide range of instruments and commercial software packages.
Argues that Schubert envisioned many songs as components of cyclical arrangements that were never published as such. By studying Schubert's original manuscripts, Kramer recovers some of these "distant cycles" and accounts for idiosyncrasies in the songs which other analyses have failed to explain.
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