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This book places the contribution of psychoanalysis to the understanding of art within a philosophical framework and seeks to show by argument and example the potential and unrealized power of psychoanalytic theory for a philosophy of art and culture.
Kuhns approaches Decameronfrom a variety of literary, philosophical, and historical perspectives. He argues that Decameroncontains a theory of storytelling and reveals the ways in which Decameron'scomic and sexual elements lead into philosophical debate and moral argument. Kuhns also suggests that Decameronis one of the first self-conscious creations of a "total work of art."
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