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An essential document of a niche global scene. For almost a decade the zine, Noise Receptor Journal, has been documenting the international post-industrial music underground. Each issue has featured reviews and exclusive interviews on dark ambient, death industrial, heavy electronics, power electronics, and other largely ignored forms of music. Noise Receptor Journal remains a labour of love in the true spirit of the underground. Self-published (out of Melbourne, Australia) it documents a cultural landscape from a unique vantage point, being at once an established and respected voice on that landscape. This book is the first in a series that compiles the long out-of-print, much sought-after early issues, and contains in their entirety Noise Receptor Journal numbers 1, 2 and 3, as well as new material.
Spectrum: Ambient/ Industrial/ Experimental Music Culture Magazine was one of the most well respected underground zines dealing with post-industrial music in the late 1990s to early 2000s, with a particular focus on the dark ambient, death industrial, heavy electronics, power electronics, neo-classical, martial industrial and neo-folk genres.This book reproduces all five issues of the rare, out of print Spectrum magazine, plus the unpublished issue No 6. It also includes much new material that puts the music scene and its culture into perspective.Featured interviews: Bad Sector / Black Lung / Brighter Death Now / Caul / Cold Spring / Crowd Control Activities / C17H19No3 / Death In June / Der Blutharsch / Desiderii Marginis / Deutsch Nepal / Dream Into Dust / Endvra / Folkstorm / Genocide Organ / Gruntsplatter / Hazard / House Of Low Culture / I-Burn / Ildfrost / Imminent Starvation / Inade / IRM / Iron Halo Device / Isomer / John Murphy / Kerovnian / Knifeladder / LAW / Malignant Records / Megaptera / Middle Pillar / Militia / MZ.412 / Navicon Torture Technologies / Nový Sv¿t / Ordo Equilibrio / The Protagonist / Raison D'être / Sanctum / Schloss Tegal / Shining Vril / Shinjuku Thief / Skincage / Slaughter Productions / Spectre / StateArt / Stone Glass Steel / Stratvm Terror / Terra Sancta / Tertium Non Data / Toroidh / Tribe Of Circle / Warren Mead / Vox Barbara / Yen Pox"One of the best print mags in this genre" - Tesco Organisation Germany"Legendary and historically very significant" - Stephen Petrus, Murderous Vision / Live Bait Recording Foundation
Kenneth Dewar is an accountant, so successful over the years that he has become a "venture capitalist" or a "financier" with only one client, a secret one at that, the patrician banker, Ellsworth Dodge. Dewar specializes in "reorganizing" high technology firms, to the immense benefit of Dodge and himself.During the course of his life Dewar had forgotten his wife and daughter. They are there, and they speak to each other and life goes forward - it is just that he has forgotten them. One Sunday afternoon, his wife dies suddenly and unexpectedly while taking a nap, and Kenneth is forced to remember her again. He also is forced to look after himself and the apartment and the laundry, and he starts to remember many things about his life that he had forgotten, just as he had forgotten his family. He even tries to make an accounting of his marriage, to draw up a balance sheet. And he finds out some things that he never knew about his wife and about human accounting. It is a moving story of what business does to women and men, set in Boston, Cambridge, and Waltham along Route 128.
Helen Anderson is young, beautiful, wealthy, highly accomplished but with some emotional wounds from childhood which keep her isolated and lonely. One evening she sees a young man being mugged. She rescues him, helps him deal with his subsequent amnesia, loves him and marries him. Then during a trip to England she loses him. The love of her life disappears without a trace. Much later, by sheer chance, she finds him, but he has become someone different, almost unreachable. A moving story of love and fidelity, set in the financial world of Boston and the high-tech industry of Waltham and Route 128.
In Windfall Apples, Richard Stevenson mixes east and west with backyard barbecue and rueful reflection.
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