Books by Richard Wollheim

An approach to the philosophical understanding of a person. Countering prevailing theories on the nature of persons, it submits an account of the mind dynamically conceived and proposes that we take as fundamental the process of living as a person.

Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art. Presented in a fresh series livery for the twenty-first century, with a specially commissioned preface written by Richard Eldridge, illuminating its continuing importance and relevance to philosophical enquiry, Art and its Objects continues to be a perceptive and engaging introduction to the questions and philosophical issues raised by works of art and the part they play in our culture and society. Wollheim's insights into theories of art, criticism, perception and the nature of aesthetic value make this one of the most influential works on aesthetics of the twentieth century.

The son of affluent parents - a distant, dandified impresario father he revered; a beautiful, mindless 'Gaiety Girl' mother he came to regret loathing - Richard Wollheim grew up in the English suburbia of the 1920s and 1930s. a remarkable exploration of childhood by one of the English-speaking world's most distinguished postwar thinkers.

Reproduced here in facsimile, this volume was originally published in 1965 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

An account of the emotions, using insights from literature, psychoanalysis and philosophy. Starting from the premise that emotions form a distinct psychological category, Wollheim argues that they are dispositions or underlying forces in the mind that erupt into consciousness from time to time.

This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression. Interweaving philosophy, psychoanalysis, and aesthetics, these essays reveal the critical connections between ideas and disciplines too often regarded as separate and distinct.