Books by Robert Barnard

Lydia Perceval was - apparently - a charming and gifted woman. As a successful biographer, she led a privileged and comfortable life in her well-ordered, luxurious country-cottage. She felt terribly sorry for her sister, married to an unemployed drunk, mother of two sons, both of whom had loved their adorable Aunt Lydia much more than their parents. Lydia had a way with young people, particularly boys. She knew how to bring out the best in them. As it happened, her sister's two boys had proved something of a disappointment - Maurice had demeaned himself by going to work in television, and Gavin, the best, had died a hero in the Falklands War. Lydia felt a little lost without some young people to groom into greatness. And then she met the Bellingham boys. It was like a reply of the past, two bright young boys, one dark, one fair, just waiting for Lydia to take over their lives. But before she could do so, Lydia was strangled. The motives were subtle, obscure. And there were very few clues. But as Superintendent Mike Oddie started his investigations, he began to suspect that quite a few people hadn't liked the charming Lydia Perceval at all. 'Barnard's three-card trickster's skill for deception is deftly demonstrated' Guardian 'Barnard not only creates an array of sharply etched characters whom he manipulates like a virtuoso puppet-master, he manipulates the reader as well . . . the solution is a classic' Scotsman 'Witty, guileful, and hairy to the end' John Coleman, Sunday Times

Professor Belville-Smith had bored university audiences in England with the same lecture for fifty years. Now he was crossing the Australian continent, doing precisely the same. Never before had the reaction been so extreme, however, for shortly after an undistinguished appearance at Drummondale University, the doddering old professor is found brutally murdered. As Police Inspector Royle (who had never actually had to solve a crime before) probes the possible motives of the motley crew of academics who drink their was through the dreary days at Drummondale and as he investigates the bizarre behaviour of some worthy locals, a hilarious, highly satirical portrait of life down under emerges. 'The perfect gem, one you wouldn't change a word of' Los Angeles Times

Norway in cherry blossom time seemed exactly the right place to hold a conference of the World Association of Romantic Novelists (WARN for short). Superintendent Perry Trethowan wondered at times how he had allowed his sister to 'con' him into accompanying her to the conference but he finally decided that his role was to be one of amused detachment and observation, most especially of the two Queens of the Conference - frothy, gushy, lethal Amanda Fairchild, the British challenger, and the vast, malevolent Lorelei Zuckerman from America. What Perry had not been prepared for was a body - one clothed in billowing pink, with a bough of cherry blossom carefully placed on the corpse. It was a most unusual murder, in a most unusual place. 'Mr Barnard disports himself with reliable zest, humour and cunning' Sunday Times 'Immaculately plotted, written with a touch as light as thistledown, and infused with gentle malice, this is a delicious souffle of a whodunnit and the secret, which is worth waiting for, is kept to the end. Brilliant, Mr Barnard' Irish Times 'The sort of exhilarating and satisfactory performance readers have come to expect from the virtuoso barnard' Financial Times

Upstairs, in the room looking out to sea, the old man dictates wills, leaving things he no longer has to friends who are long dead. His children, who look after him, can cope with his senility, and thought there was nothing more to learn about his erratic life-style. When Roderick Cotterel hears from his illegitimate half-sister he is intrigued, even charmed: she is the daughter of his father, the distinguished novelist Benedict Cotterel, by the famous actress Myra Mason. She is writing a book about her mother, and is looking for material. The affair between the two had been a gutter press sensation back in the 'sixties, but the embers have long since cooled. However, when Cordelia and her boyfriend arrive and begin research for the book both Roderick and his wife begin to have doubts. And when their peaceful Sussex village is threatened by a visit from an almost suspiciously friendly Myra Mason, they realize they have got into something from which it would require superhuman delicacy and tact to extricate themselves. In the event somebody solves their problems in a way that is neither tactful nor delicate, though it certainly is final. 'He never takes the easy path of repeating a winning formula.' Time Magazine

Old church meets new with a vengeance when a monk is brutally murdered at St. Botolph's. Murder wasn't on the agenda for the symposium on the role of the Anglican Church today-until a brother is found dead in his cell. Suddenly the diverse guest list falls under suspicion. Could it be the bishop famous for his television appearances or his exotic counterpart from Africa; one of the three vicars who run the gamut from trendy to traditional; the nondenominational American with a passion for fundraising; or perhaps one of the two Norwegian lady divines? Or is it one of the brothers themselves, taking advantage of the camouflage provided by outside visitors? Surely the tensions between the cloistered clergy and their more worldly visitors can't have led to such an unthinkable occurrence. But why is Father Anselm, the austere head of the Anglican Community, so reluctant to allow an investigation? Is he concerned simply about unfavourable publicity? Or is there a darker secret hidden behind the inscrutable walls of St. Botolph's? 'Robert Barnard . . . writes with irony and wit and considerable skill and grace' St Louis Post-Dispatch 'A first-rate suspense story . . . highly original and entertaining.' Booklist 'Robert Barnard is the most reliable and versatile practitioner of English mystery-comedy on the present scene. A virtuoso . . .' New York Times Book Review

Rosemary Sheffield has a sort of "e;reverse epiphany"e; one day while walking in the park: she no longer believes in God. This sudden loss of faith is at first entirely liberating, but the situation gradually becomes more complicated. Rosemary is, after all, the beloved wife of the vicar at St. Saviour's parish. A storm of controversy erupts in her husband's church congregation, but Rosemary, with the words "e;I do not believe,"e; leaves behind the scandal and gossip for a seaside sojourn in Scarborough. Here she meets Stanko, a Bosnian refugee who illegally entered the country. But what begins as a supportive friendship launches an ungodly chain of events-and Rosemary soon finds herself back at home caught up in a murder investigation. "e;Barnard's trademark seamless plotting and riotous sense of humor stand out wonderfully in his latest whodunit."e; Booklist "e;His plots are downright Mozartian in their effortless complexity"e; New York Newsday

Opera singers are often described as being larger than life, and certainly this is true of Gaylene Ffrench. Her appetites-for men, for food, for attention-are gargantuan, and her ability to irritate is similarly outsized. So when someone electrocutes the bombastic Australian contralto, few tears are shed at the Northern Opera company (though it's a pity her understudy's so lousy). In fact, most of the company members are dancing a jig, and it falls on Superintendent Nichols to determine which of them might have helped Gaylene along to her just reward. The black tenor tired of being the butt of Gaylene's bigotry? The soprano weary of jealous whispers in her ears? Gaylene's many bedroom conquests, all anxious to avoid a repeat performance? With so many potential suspects, Nichols has his hands full, but Barnard and his readers have a deliciously malicious good time. 'The wryest wit and most scathing satire' Chicago Sun-Times 'One of the deftest stylist in the field . . . goes about it with a quietly malicious sense of humor' New York Times Book Review

Superintendent Perry Trethowan was enjoying a peaceful motoring holiday in North Yorkshire when he and his wife, Jan, had a strange encounter in a country pub. The seemingly unremarkable elderly spinster who introduced herself as Miss Edith Wing, a retired schoolmistress, proceeded to produce form her capacious blue handbag a yellowing manuscript - and claimed that it was part of an undiscovered novel by one of the Bronte sisters. Was it a clever forgery, or the literary sensation of the century? What started out as a harmless holiday diversion for the superintendent turned into a hunt for a vicious attacker as both Miss Wing and Perry himself found themselves in deadly danger. 'You can count on a Barnard mystery being witty, intelligent and a joy to read' Publishers Weekly 'One of our most original and versatile bloodspillers' Marcel Berlins, The Times 'Delicious . . . an appetising entertainment' New York Times

First published in 1979, Unruly Son received an Edgar Award nomination for "e;Best Novel"e; of the year. Sir Oliver Fairleigh-Stubbs, overweight and overbearing, collapses and dies at his birthday party while indulging his taste for rare liquors. He had promised his daughter he would be polite and charitable for the entire day, but the strain of such exemplary behaviour was obviously too great. He leaves a family relieved to be rid of him, and he also leaves a fortune, earned as a bestselling mystery author. To everyone's surprise, Sir Oliver's elder son, who openly hated his father, inherits most of the estate. His wife, his daughter, and his younger son are each to receive the royalties from one carefully chosen book. But the manuscript of the unpublished volume left to Sir Oliver's wife-a posthumous "e;last case"e; that might be worth millions-has disappeared. And Sir Oliver's death is beginning to look less than natural. Into this bitter household comes Inspector Meredith, a spirited Welshman who in some ways resembles Sir Oliver's fictional hero. In Robert Barnard's skilful hands, Inspector Meredith's investigation becomes not only a classic example of detection but an elegant and humorous slice of crime.

The Skeleton In The Grass, reminiscent of Robert Barnard's much-acclaimed Out of the Blackout, illuminates an earlier time and place: a small English village in 1936, as Franco's troops are conquering Spain and Hitler's legions are preparing to overrun Europe. The world at large may be sliding into the abyss of disaster, but life at Hallam, country seat of the glamorous and renowned Hallam family, still represents the ultimate in British civilization. Teatime, with its cucumber sandwiches and cream cakes, continues as it has for a hundred years. It's not that the Hallam family ignores the world outside its gracious doors. On the contrary, Helen and Dennis Hallam care passionately about peace and principle, and Dennis dramatically conveys these views to the nation in his controversial weekly review column. Avowed pacifists, Helen and Dennis represent a political stance that the villagers mistrust and fear. That fear and suspicion turn to nasty pranks when a sinister Fascist major gains control over some of the local youths. Helen and Dennis, and their sons Oliver and Will, become the victims of cruel taunts and the kind of teasing that leads to terror. As the Hallams and villagers grow more hostile, we see the story through the eyes of Sarah Causeley, and idealistic young woman who has recently come to be nursery governess at Hallam. To Sarah, the Hallams represent beauty, brilliance, and style-an idyllic life in the midst of chaos. But as she watches, the Hallams' world begins to disintegrate, and a tense and unexpected encounter leads to a shocking murder. Much more than a crime novel, The Skeleton in the Grass is an extraordinary piece of fiction that captures the essence of a family that captures the essence of a family and a world on the brink of extinction. With subtlety and skill, Robert Barnard amazes with his versatility and storytelling power.

Picking up the primary scent of any investigation, this anthology of wicked tales paints a chilling portrait of modus operandi--the signature that identifies any repeat offender. In this collection of villainous narratives, a coroner reveals a body's telltale clues to his students as he unwittingly dissects his own relationship, a broken-down driver turns his roadside routine into a quite different type of pick-up, and two creative-writing tutors discuss the merits of "hard-boiled" versus "cozy" schools of crime writing while a murderous student points out that it's really procedure that counts. From the ex-doctor tenderly administering a final prescription to his victims to the party of finishing school debutantes exacting revenge on their lecherous host, these stories demonstrate that, even with the most despicable of crimes, there is always methodology within the madness.