Books by Robert Frank

With questions, explanations and exercises, the authors help students relate economic principles to a host of everyday experiences such as going to the ATM or purchasing airline tickets. It presents a coherent short list of core principles in introductory economics and reinforces them by illustrating and applying each in numerous contexts.

In this, Robert Frank's newest book, he both acknowledges and moves beyond his acclaimed visual diaries (2010-17), which juxtapose iconic photos from throughout his career with the more personal pictures he makes today and suggestive, often autobiographical text fragments. In Good days quiet Frank's focus is life inside and outside his beloved weather-beaten wooden house in Mabou, where he has spent summers for decades with his wife June Leaf. Among portraits of Leaf, Allen Ginsberg and Frank's son, are images of the house's simple interior with its wood-fuelled iron stove, humble furniture and bare light bulbs, as well as views of the land and sea by the house: snow-covered, windswept, stormy or lit by the dying sun. Frank's Polaroids scanned for the book show various deliberate states of deterioration and manipulation at his hands, including texts that move from the merely descriptive ("watching the crows") to the emotive ("memories," "grey sea-old house / can you hear the music"). As always in Frank's books, his message lies primarily in the photos' lyrical sequence, an influential approach to the photobook pioneered by and today well at home in his 93-year-old hands.

Part of a series, this title is composed of polaroids, that continues the journey into Frank's realm and imagery, showing us snapshots from his travels, of his friends and everyday curiosities.

Robert Frank's film "One Hour" is a single-take of Frank and actor Kevin O'Connor either walking or riding in the back of a mini-van through a few blocks of Manhattan's Lower East side. Shot between 3:45 and 4:45 pm on 26 July, 1990 the film presents the curious experience of eavesdropping involuntarily on strangers. This book deals with the film.

"Pull My Daisy" is a 1959 short film that typifies the "Beat Generation". Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished titled "Beat Generation". This book interweaves a transcript of Kerouacs narration from the film with film stills.

Writing from New York in March 1949, Robert Frank sent home to his mother in Switzerland a birthday gift of a book maquette of a series of photographs he had made during a visit to Peru. This book presents the complete sequence of images, based on the original book Frank had conceived and realised under his direction.

Imagine a country populated with nothig but millionaires. Let's call it Richistan . . .