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A vivid and accessible reappraisal of the frequently uneasy relationship between the Victorian clergyman and his congregation.
This book will encourage, uplift, and motivate, children who are insecure, and not confident in their ability to reach their goals and dreams in life.
Clinique d'accouchementsDate de l'édition originale: 1843Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Robert Lee is the author of the epistolary novel, Guiding Elliott (Lyons Press 1997). His writing has appeared in Montana Magazine, Cut Bank, Connotations, Talking River Review, Cold Drill, MO (now Front Range), Cedilla, Northern Journeys, and in anthologies, New Montana Stories, and Poems across the Big Sky. Robert teaches poetry for the Missoula Writing Collaborative in Montana, Idaho and Alaska and tutors writing at the University of Montana. He was honored to spend September 2012 as Writer in Residence for the Island Institute in Sitka, AK. In October 2008, Robert accepted residency in Hydaburg, a small Haida Indian Village on Prince of Wales Island. By the time he got there, both the administrator and English teacher quit so Robert was put on payroll to teach four hours of English every day, one hour of PE, and one hour of Alaska Survival Cooking. This didn't faze Robert, who answered the call: Oh boy. Hydaburg, here I come.
Souvenirs de voyage, ou Lettres d'une voyageuse malade. T. 2 / [par la Ctesse de La Grandville]Date de l'edition originale: 1836Sujet de l'ouvrage: Suisse -- Descriptions et voyagesFrance -- Descriptions et voyagesItalie -- Descriptions et voyagesCe livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.frhttp: //gallica.bnf.fr/ark: /12148/bpt6k1027332
Robert Warren pastors Faith, Hope, and Love Ministries, a church located in Suffolk, Virginia. Born December 2, 1950, he was raised in a small area of Suffolk, known as Driver. Upon graduating from John F. Kennedy High School, located in Suffolk, VA; he attended C. H. Mason Bible College and The Virginia Seminary and College in Lynchburg, Virginia. Happily married to the loving Mary Baker Warren, a woman, after God's own heart; the two reside in Suffolk, Virginia. Robert Warren is a lover of people who loves preaching God's word and is a poet at heart. His inspiration for this book came from a dream he once had several years ago. In this dream he saw the light that David had seen in Psalm 119:105 appear where it says; Thy word is a lamp unto my feet, and a light unto my path. Bright, beaming, and shaped like a ball; men were passing this spherical ball of light to one another. Seemingly to had never hit the ground; these men had come from everywhere and every walk of life frantically enjoying this bright, beaming ball of light. "What does this mean?" You ask! The bright, beaming ball of light represents God's word and how he wants us to pass it on to EVERY man, woman, and child. But don't just pass it on needlessly, find pleasure in it! Enjoy passing on God's Word so that others may see your shining joy and want to pass it on also. Stay focused, don't faint, and remember to keep the ball of light going, never dropping it. When we pass His Word, lives are changed. Thus, resulting in the writing of this book, God's Heavenly Messages. This is one way I have chosen to pass God's Word around, believing it will help people change their lives and come to know Jesus Christ.
Fort Meade was the home of the famous Seventh Cavalry after its ignominious defeat in the Battle of the Little Bighorn. This title examines the strategic importance of its location on the northern edge of the Black Hills and the role it played in the settlement of the region, and the role played by the citizens of Sturgis in keeping it alive.
Brings together the stories of heroic, groundbreaking and everyday enterprises in transport - in shipping, roads, rail and aviation - across Australia. This is the fascinating story of how transport in Australia has developed, and how it has impacted our lives.
General Henry Lee, aka "Light Horse" Harry for his swift and daring tactics, was a brilliant cavalry leader and friend of George Washington. But by 1809 his fortunes altered and he wrote these memoirs from a debtor's prison. This version contains Robert Lee's biographical essay of his father.
Confronting the cultural stereotypes that have been attached to Asian-Americans over the last 150 years, this title seizes the label "Oriental" and asks where it came from. It shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to Asian-Americans.
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