Books by Robert Pinsky

This latest edition of the Cambridge-based literary magazine introduces, in addition to an exciting mix of poetry, ideas essays, fiction, and comics, a new focus on science and on food writing with the new "Zest!" section.

The new Resistance Issue of Pangyrus Literary Magazine features many of the artists who've lit up the stage during Resistance Mic!'s first and second seasons at the OBERON in Harvard Square: Robert Pinsky, Steve Almond, Alexandria Marzano-Lesnevich, Kazim Ali, Kim Stafford, Brenda Hillman, Regie Gibson, Anne Champion, Krysten Hill, Jennifer Jean, Tim McCarthy, and many more. Full of hope, outrage, humor and insight, the magazine is the necessary companion to impossible times.

The poems in Robert Pinsky's At the Foundling Hospital consider personality and culture as improvised from loss: a creative effort so pervasive it is invisible. An extreme example is the abandoned new-born.

Explores the dreams and nightmares of small towns - their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II. This book considers how small towns can be small-minded - in some cases viciously judgmental and oppressively provincial.

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.

Explanation of America.

Sadness and Happiness: Poems by Robert Pinsky.